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Saul Wilson Island medics 2017

Dr Saul Wilson on Shetland and BBC1

Saul Wilson Island medics 2017After leaving Roundwood Park, Saul Wilson ( class of 2004), he attended the University of Cardiff for five years, where he fully qualified as a Doctor of Medicine and Surgery. He has spent the past years on rotation, working for two years for NHS Grampian in Aberdeen and then on Stornoway, Isle of Lewis. He is now in A&E at the most remote UK Hospital of Gilbert Bain in Lerwick, Shetlands. He will appear in a BBC documentary , Island Medics, scheduled to be televised on BBC1 on December 6th at 0915-1000h. Alternatively it can be viewed on the BBC iPlayer.

“Junior Doctor and newcomer to Shetland Dr Saul Wilson (pictured) is thrown in at the deep end, when two serious cases arrive simultaneously into Accident and Emergency.

Dr Wilson will need to use all his skills and rely on the vast experience of Shetland’s nursing staff if he is to provide the care required.

Away from the hospital, viewers will get to meet the doctor working on the isle of Unst – the most northerly practice in the United Kingdom. And two of the new junior doctors take to the water to try out a popular Shetland hobby.”

 

 

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Rebecca Hill [2008] seeks funding for Theatre Production.

Rebecca gained a degree in Philosophy from the Universit y of Cardiff and from their embarked on a remarkable career in theatre direction.

“I am now a theatre director and playwright. I have had my work performed across London and South Wales, and think I might have the project that could take my career to the next stage. I have written and directed a verbatim play inspired by campaigns such as Everyday Sexism, No More Page 3 and Ending Victimisation, and which I believe has the potential to represent a new, fresh voice of feminism in British and International theatre. It had a successful 3 day run at the Etcetera Theatre in January, receiving 4 star reviews and support from industry giants, and has great potential for a London transfer and tour.

To let you know a little more about it: it’s a verbatim play called Travesti, taking women’s real stories about why they wear make up, being groped on public transport, and experiences of sexual violence, and performed by an ensemble cast of six male actors. It is a warm and witty play incorporating music and dance which explores whether our reactions to these stories change based on the gender who tells them, and whether we might allow certain behaviours due to longstanding social roles. By putting these stories in men’s mouths, I wanted to highlight the absurdities of typically ‘female’ behaviours – why are women expected to wear make up and men aren’t? Why are we expected to shave our body hair and men aren’t? Why are we expected to consider our safety at night in ways that men don’t have to? Happily, as a result, it also opens up interesting discussion about the social roles enforced on men, and – for example – how male rape is something that is not discussed in the same way as female rape. My intention was to make a feminist theatre piece that looks like the women I know: intelligent, playful, funny and sexy.

Ian Rickson (Director, Mojo, Harold Pinter Theatre – currently directing Hugh Jackman on Broadway) described the show as “terrific. A fresh, seductive and unsettling evening” and Christopher Haydon (Artistic Director, Gate Theatre) called it “sharp, witty, genuinely shocking at times”.

The Pleasance Theatre has offered us a prime slot in their 30th Anniversary Edinburgh Festival programme, which is exactly the opportunity we wanted for it – not only to be programmed by the leading festival venue with strong possibility for a London transfer and tour, but also to reach a potential audience of over 2000 people with a theatrical discussion we are passionate about. I am over the moon to have been offered such an incredible slot with the best Edinburgh venue, especially being an unknown artist and company. My company (Unbound Productions) are, of course, keen to take this opportunity, but we are sorely in need of money to do this. We have calculated that it will cost us around £22,000 to take Travesti to Edinburgh – we have budgeted paying the actors, (which unfortunately is not always a priority) for accommodation, set, props, costume and of course marketing! We are crowd funding and applying to a number of trusts in order to raise this money, but are aware it is a sizeable amount.”

If you feel you would like to find out more and possibly make a contribution please go to her company website www.unbound-productions.com  or email Rebecca on  unboundtheatre@gmail.com

 

Rebecca Hill 2014

Rebecca Hill [2008]

Rebecca gained a degree in Philosophy from the University of Cardiff before embarking on a remarkable career in the theatre. She has undertaken numerous theatre directing projects.

“I am now a theatre director and playwright. I have had my work performed across London and South Wales, and think I might have the project that could take my career to the next stage. I have written and directed a verbatim play, travesti, inspired by campaigns such as Everyday Sexism, No More Page 3 and Ending Victimisation, and which I believe has the potential to represent a new, fresh voice of feminism in British and International theatre. It had a successful 3 day run at the Etcetera Theatre in January, receiving 4 star reviews and support from industry giants, and has great potential for a London transfer and tour.”

Currently Rebecca is hoping to take her theatre company  ‘unbound productions’ to the Edinburgh Festival where she has been offered a prime slot in one of the theatres and is seeking financial assistance/funding. To find out more and possible donate contact Rebecca on her website  – www.unbound-productions.com